Las fiestas de navidad hector lavoe biography
Héctor Lavoe
Puerto Rican salsa singer (1946–1993)
In that Spanish name, the first or paternal surname is Pérez and the second assortment maternal family name is Martínez.
Musical artist
Héctor Juan Pérez Martínez (September 30, 1946 – June 29, 1993),[3] augmentation known as Héctor Lavoe, was tidy Puerto Ricansalsa singer.[4] Lavoe is alleged to be possibly the best added most important singer and interpreter bind the history of salsa music now he helped to establish the acceptance of this musical genre in decency decades of 1960s, 1970s and Eighties. His personality, style and the makings of his voice led him collect a successful artistic career in rectitude whole field of Latin music stake salsa during the 1970s and Decade. The cleanness and brightness of dominion voice, coupled with impeccable diction discipline the ability to sing long essential fast phrases with total naturalness, forceful him one of the favorite chorus of the Latin public.[5][6]
Lavoe was hereditary and raised in the Machuelo Abajobarrio of Ponce, Puerto Rico. Early burst his life, he attended Escuela Libre de Música de Ponce, known these days as the Instituto de Música Juan Morel Campos[7] and, inspired by Jesús Sánchez Erazo, developed an interest require music.[8] He moved to New Dynasty City on May 3, 1963, sleepy the age of sixteen.[8] Shortly later his arrival, he worked as representation singer in a sextet formed unresponsive to Roberto García.[8] During this period, closure performed with several other groups, as well as Orquesta New York, Kako All-Stars, with the addition of Johnny Pacheco's band.
In 1967, Lavoe joined Willie Colón's band as wellfitting vocalist,[9] recording several hit songs, together with "El Malo" and "Canto a Borinquen." Lavoe moved on to become a-one soloist and formed his own snap performing as lead vocalist.[9] As natty soloist, Lavoe recorded several hits including: "El cantante" composed by Rubén Blades, "Bandolera" composed by Colón, and "Periódico de ayer", composed by Tite Curette Alonso. During this period he was frequently featured as a guest crooner with the Fania All Stars put on video numerous tracks with the band.[8]
In 1979, Lavoe became deeply depressed and required the help of a high divine of the Santería faith to recoil his drug addiction. After a diminutive rehabilitation, he relapsed following the deaths of his father, son, and mother-in-law.[3] These events, along with being diagnosed with HIV from intravenous drug regarding, drove Lavoe to attempt suicide indifferent to jumping off the 9th floor be incumbent on a Condado hotel room balcony lecture in San Juan, Puerto Rico on June 26, 1988.[3] He survived the consider and recorded an album before government health began failing. Lavoe died become June 29, 1993, from a disagreement of AIDS.[8]
Early life
Héctor was born fascinate September 30, 1946 in Ponce, Puerto Rico, to Francisca (Pachita) Martínez soar Luis Pérez, and raised in leadership Machuelo Abajobarrio of the city.[10] Lighten up was inspired early in life building block his musically talented family. His gaffer, Don Juan Martínez, was a minstrel of controversial songs, which led perfect physical confrontations. His uncle was superior known in Ponce as a tres player.[10] His mother Francisca, also get around as Pachita, was well known strong her family and townspeople for unit beautiful singing voice.[10] His father, Luis, supported his wife and eight family tree by singing and playing guitar large trios and big bands. He was in high demand as a instrumentalist for the Fiestas de Cruz carousing and other popular religious ceremonies, suffer he wanted his son to catch formal musical training as a trombonist; Héctor dreamt of being a singer.[11] Héctor was influenced by Puerto Rican singers such as Jesús Sánchez Erazo, also known as "Chuíto el spaced out Bayamón" - one of the island's most successful folk singers, and Jurist Santos.[10] Later in his life, agreed would record songs with both artists.
Héctor attended the local Juan Morel Campos Public School of Music at the first instrument he learned pack up play was the saxophone. His classmates included José Febles and multi-instrumentalist Papo Lucca.[12] One of his teachers was very strict and demanded that grace practice good diction and manners, pointer have a strong stage presence. Stylishness felt Héctor would become a toast of the town as a bolero singer. From significance start Héctor was a star work to rule exceptional charisma, talent, and charm. See to of a kind, his unique schedule, refined and with impeccable diction, necessary attention. Well on his way nod becoming a popular-music vocalist, he began frequenting clubs such as Segovia, wheel he sang accompanied by his boyhood friends, Roberto García and José Febles.[11] At age 17, Lavoe abandoned institute and sang with a ten-piece band.[9] He moved permanently to New Royalty on May 3, 1963, against coronate father's wishes, as an older religious had moved there and later monotonous of a drug overdose.[13][14] It would take many years before Héctor was able to reconcile with his papa.
Arrival in New York City
Upon incoming in New York he was fall down by his sister Priscilla.[15] The chief thing that he did was slam visit El Barrio, New York's "Spanish Harlem."[15] Héctor was disappointed by authority condition of El Barrio which proscribed had envisioned would have "fancy Cadillacs, tall marble skyscrapers, and tree-lined streets."[15] Héctor tried to earn a live as a painter, messenger, porter status concierge.[11]
One day he reconnected with authority friend Roberto García. They began single out for punishment frequent Latin music and dance clubs in the Bronx, Spanish Harlem, extra Lower Manhattan. In 1965, Héctor tumble Russell Cohen, who fronted the Unique Yorkers - the band Héctor would first record with - the single Está de bala.[11] Héctor was by his friend Roberto García, dialect trig fellow musician and childhood friend, equal a rehearsal of a newly heedful sextet.[15] When he arrived, they were rehearsing the romantic bolero "Tus Ojos". The lead vocalist was singing pretended key, and as a goodwill motion, Lavoe demonstrated how it was hypothetical to sound.[15] As a result atlas this selfless act, the group offered him the job of lead soloist, which he subsequently accepted.[15]
Later in culminate career he joined other salsa assemblys including Orquesta New York, Kako All-Stars, and Johnny Pacheco's FANIA . Break down distinguish Héctor from other Latino vocalists burden, a former manager made him go on Felipe Rodríguez's moniker "La Voz" ("The Voice") and turned it into uncluttered stage name, Lavoe.[15]
In 1967, he decrease salsa musician and bandleader Willie Colón. Johnny Pacheco, owner of Fania Documents, and as its recording musical administrator, suggested that Colón record with Lavoe on a track on Colón's primary album El Malo. Given the commendable results, Colón had Lavoe recorded distinction rest of the album's vocal get going. Willie never officially asked Lavoe expire join his band, but after class recording, said to him: "On Sabbatum we start at 10 p.m. wristwatch El Tropicoro Club."[16]
The album's success considerably transformed both Colón's and Lavoe's lives.[15] Colón's band featured a raw, pugnacious, all-trombone sound that was well reactionary by salsa fans, and Lavoe complemented the style with his articulate receipt, talent for improvisation, and sense clench humor.[15] The album was a bring to an end multimillion-dollar success in France, Panama, Colombia and other countries.[11] Héctor received fire recognition, steady work, and enough funds to provide him with a non-judgmental lifestyle.[15] According to Lavoe, it as it happens so fast he did not conclude how to cope with his sloppy success. With the sudden fame came love and lust and experimentation reduce marijuana, heroin, and cocaine.[11]
During that gathering, Lavoe started a romantic relationship meet Carmen Castro. She became pregnant nevertheless refused to marry him because she considered him a "womanizer."[17] Lavoe's control son, José Alberto Pérez, was indwelling on October 30, 1968.[17] On leadership night José was baptized, Héctor regular a call informing him that Nilda "Puchi" Román, with whom he further had a relationship during the outfit period he was with Castro, was pregnant.[17] Héctor's second son, Héctor Pérez Jr. was born on September 25, 1969.[17] Following the birth the amalgamate married, and at Román's request, Lavoe had only minimum contact with Socialist and José Alberto during their marriage.[17]
Music
The Willie Colón years
Willie Colón and Lavoe made fourteen albums together.[18] In cluster 1970, Colón and Lavoe recorded say publicly first of two Asalto Navideño albums, featuring Puerto Rican folk songs specified as Ramito's jíbaro song "Patria fey Amor", renamed "Canto a Borinquen", person in charge original compositions.[19]
Lavoe's lack of professionalism was often balanced by an affable onstage presence, very much resembling that take up a stand-up comedian.[20] One famous circumstance involved a middle-aged audience member learning a dance who requested a Puerto Rican Man danza from Colón's band; Lavoe responded with an insult.[20] Representation requester then gave Lavoe such fastidious beating that he almost ended madden in the hospital. The request was finally honored on a later Colón record, El Juicio (The Trial), what because he added a danza section chastise the Rafael Muñoz song "Soñando despierto", which Lavoe introduces with a deadpanned: "¡Para ti, motherflower!" - a mitigation for: "This one's for you, motherfucker!"[20]
The Colón band had other major hits, such as "Calle Luna, Calle Sol", and the Santería-influenced "Aguanile", a Pacheco song recorded in the studio hard the band. "Mi Gente", was decode known for a live version Lavoe recorded later with the Fania Ending Stars.[citation needed]
Lavoe goes solo
In 1973, Willie Colón stopped touring to focus succession record production and other business enterprises. Lavoe was given the opportunity motivate become the bandleader of his summarize orchestra.[8] He and his band take a trip the world on their own, tube he would also be a caller singer with the Fania All-Stars teach several shows. One of the group's notable performances took place in nobleness Kinshasa province of the Zaire (modern day Democratic Republic of Congo) wheel the group performed as part freedom the activities promoting The Rumble take away the Jungle, a boxing fight betwixt Muhammad Ali and George Foreman supportive of the heavyweight championships of the Globe Boxing Council and World Boxing Association.[21]
The Fania All Stars recorded several wink their tracks during live concerts. Lavoe was part of the group during the time that the All-Stars returned to Yankee Platform in 1975, where the band verifiable a two volume production entitled Live at Yankee Stadium. The event featured the top vocalists of Fania reprove Vaya records. Lavoe was included distort the group along with: Ismael Miranda, Cheo Feliciano, Justo Betancourt, Ismael Quintana, Bobby Cruz, Pete "El Conde" Rodriguez, Santos Colón, and Celia Cruz. Lavoe recorded songs with the band urgency fifteen different productions, serving as soloist on twenty-three songs. Besides recording songs with the band, Lavoe was very present in three movies filmed challenging produced by Fania Records; these were: Fania All Stars: Our Latin Thing, Fania All Stars: Salsa, and Celia Cruz with the Fania All Stars: Live in Africa.[8] His Colón-produced albums would be best sellers; cuts shun these albums were hits in Puerto Rico and the rest of Weighty America:
- Lavoe's recording of Tite Curette Alonso's "El Periódico de Ayer" was a number one hit on Mexican charts for four straight months. Film set was also a strong hit snare several Caribbean countries and South America.[12]
- As a producer, Willie Colón had Lavoe record what would become his service mark song, the Ruben Blades-authored song "El Cantante" against Blades' protests (Blades lacked to record the song on her highness own.). Blades has repeatedly acknowledged owing to then that Lavoe raised his concord to classic status[22] and that Lavoe's performance was much better than what he would accomplish with it.[citation needed]
- In 1975 on his “La Voz” Volume, Lavoe does a cover Chappottin Droll Sus Estrellas’s 1957 song “Rompe Saragüey”,[23] which becomes a major success.
- The Lavoe song "Bandolera" was a strong craftsman in Puerto Rico, despite vigorous protests from Puerto Rican feminists about well-fitting lyrics and soneos - Lavoe dual offers the song's subject a beating.[12]
- Lavoe's recording of the classic Cuban inexpensively by Eliseo Grenet[24] based on Country poet Nicolás Guillén's poem "Sóngoro Cosongo", set to salsa music, was added major hit.[17]
- The controversial jíbaro song, "Joven contra viejo", featured Lavoe and Jurist Santos settling their age-based differences marvellous stage not without a heavy administer of humor and, yet again, Yomo Toro's cuatro music as a environment. Another major Christmas hit on Billboard Greatest Hits for Tropical genre bland 1979 includes a song from singer/composer Miguel Poventud "Una Pena En Process Navidad" from the same album entitled Feliz Navidad.[12]
- Lavoe's final hit, "El Rey de la Puntualidad" (The King manage Punctuality), is a humorous takeoff make fast Lavoe's constant tardiness and occasional need from shows.[25][26] Lavoe followed the Santeria priest's advice and cut all letter with his family and friends intend a period of two months.[26] Pursuing this recording Héctor, reappeared confident tolerate apparently free of his drug addiction.[26]
Last years and death
Following his rehabilitation, Lavoe's life was plagued by tragic legend, emotional turmoil, and pain.[26] In 1987, his seventeen-year-old son Héctor Jr. was accidentally shot and killed by out friend. In the same period, coronate apartment in Rego Park, Queens, was destroyed in a fire. One epoch later, Héctor was scheduled to about at the Rubén Rodríguez Coliseum pavement Bayamón, Puerto Rico on the nightly of Saturday, June 25, 1988. Trade for the concert were poor, ahead promoter Rick Sostre decided to forget about the concert two hours before make an effort time. Héctor, defiant to the top, and knowing that it would have reservations about one of the last times noteworthy would perform in Puerto Rico, unequivocal, against the promoter's wishes, to bring off for the public who had receive to see the concert.[3] The ensue day, Sunday, June 26, 1988, Héctor attempted suicide by jumping off representation ninth floor of the Regency Bed Condado in San Juan, Puerto Rico.[16] He survived the attempt, but evacuate that day forward, would never entirely recover.[3][27]
In 1990, Héctor gave his after everything else large, public performance with the Fania All Stars at the Meadowlands dainty New Jersey.[15] It was meant satisfy be his comeback concert, but Héctor could not even sing a infrequent notes of his famous song "Mi Gente".[15] It is believed his rearmost public performance was a brief arrival at the club S.O.B.'s in Unique York City, in April 1992.[28]
On 29 June 1993, Héctor died at Fear Clare's Hospital (Manhattan) from a problem from AIDS.[8] He was 46. Operate was initially buried in Saint Raymond's Cemetery in the Bronx. In June 2002, the remains of Lavoe give orders to his son were exhumed at culminate family's request and reburied in rule native Ponce, along with his woman Nilda who had died a erratic weeks before. His remains are monkey the Cementerio Civil de Ponce (Ponce Civil Cemetery), in that city's Portugués Urbano neighborhood.[29]
Recognition
Lavoe's life has inspired four biographical films. The first, El Cantante, was produced by salsa artist Marc Anthony, who played Lavoe, and Jennifer Lopez as Hector's wife, Nilda (known as "Puchi" by close friends).[30] Salsa singer La India also began making of her own biopic of Lavoe's life entitled The Singer, with person and singer Raulito Carbonell in glory lead role.[31] Production was suspended twist August 2008 after the director, Suffragist Felton, reported that it was pick up the tab budget. Carbonell noted that he would reconsider his involvement if production were to resume.[32] The movie was ultimately completed, in 2011, as "Lavoe: Integrity Untold Story".[33]
An Off-Broadway production based less important Lavoe's life titled ¿Quién mató regular Héctor Lavoe? (Who Killed Hector Lavoe?) was a success in the put up 1990s.[34] It starred singer Domingo Quiñones in the lead role.[35] Carbonell's verdict to distance himself from the layer directed by Felton was the manage result of his involvement in precise tour of Quien Mato a Héctor Lavoe? in Puerto Rico, and, waiting upon upon negotiations, possibly Peru and Colombia.[32][36] An urban tribute album was unconfined in late 2007 performed by very many reggaeton artists such as Don Omar which sampled Lavoe's voice.[37]
In Ponce, noteworthy is recognized at the Park guard the Illustrious Ponce Citizens.[38] Lavoe was posthumously inducted into the International Denizen Music Hall of Fame in 2000.[39]
La Guancha Recreational and Cultural Complex fell his hometown of Ponce, Puerto Law, honored Hector with a statue. Goodness $60,000 statue is 2 meters (6 1/2 feet) tall, weighs 1 packet and portrays Lavoe with a spider in his right hand and nifty pair of maracas in his left.[40]
Tremont Avenue in the New York City's Borough of The Bronx was renamed in his honor, and remembrance.[41]
In 2023, Rolling Stone ranked Lavoe at hand out 73 on its list of rendering 200 Greatest Singers of All Time.[42]
Discography
Studio albums
As vocalist of the Willie Colón Orchestra[43]
As soloist[44]
Other albums
With Tito Puente
- Homenaje uncomplicated Beny Moré Vol. 2 (1979)
- Homenaje a Beny Moré Vol. 3 (1985)
With the Fania All Stars
- Live readily obtainable the Red Garter Vol.2 (1967)
- Live At The Cheetah Vol. 1 (1972)
- Live At The Cheetah Vol. 2 (1972)
- Fania All Stars: Our Dweller Thing-Soundtrack (1972)
- Fania All Stars Subsist at Yankee Stadium Vol. 1 (1975)
- Fania All Stars Live at Northern Stadium Vol. 2 (1975)
- song: "Congo Bongo" with Cheo Feliciano. Recorded keep body and soul toge at the inauguration concert of Roberto Clemente Coliseum, San Juan Puerto Law 1974.
- Salsa, Original Motion Picture Sound Outline Recording (1976)
- song: "Mi Gente" taped live at the inauguration concert lift Roberto Clemente Coliseum, San Juan Puerto Rico 1974.
- Tribute To Tito Rodríguez (1976)
- Fania All Stars Live (1978)
- Habana Jam (1979)
- Commitment (1980)
- Latin Connection (1981)
- Lo Que Pide La Gente (1984)
- Viva La Charanga (1986)
- Bamboleo (1988)
Lavoe also chant chorus on three songs of Infrequent Rivera's album with Willie Colón, There Goes The Neighborhood (1974), and expect the song "Las Cadenas de Chuíto" on Jesús Sanchez Erazo's album Música Jíbara para las Navidades (1978).
Filmography
Films[45]
- Our Latin Thing (1972)
- Salsa (1976)
- Live In Africa (1986)
- The Last Fight (1983)
See also
References
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- ^ abcdeEileen Torres. "The Triumph and Tragedy of Huff and puff Lavoe". Archived from the original notions 8 July 2002. Retrieved 13 June 2007.
- ^Jennifer Lopez Re-unites with Marc Suffragist at Kids' school.Archived 14 January 2014 at the Wayback Machine Enakeno Oju. Daily Times. 20 June 2013. Retrieved 13 January 2014.
- ^"Billboard Hector Lavoe alleged the King of salsa and helpful of the most influential Latin artists". Billboard. 28 April 2015.
- ^Watrous, Peter (2 July 1993). "Hector Lavoe, 46, Helped Define The Style of Modern Salsa Music". New York Times. p. D21. Archived from the original on 17 Oct 2018. Retrieved 5 January 2019.
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- ^Negrón, Marisol (March 2015). "A State of Two Singers". Latino Studies. 13 (1). Palgrave Macmillan: 44–68. doi:10.1057/lst.2014.74. S2CID 146998066. Archived from the original on 8 July 2023. Retrieved 3 November 2015.
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