Rajina raj bisaria biography samples

Raj Bisaria

Indian director, actor, producer and professor (1935–2024)

Raj Bisaria (10 November 1935 – 16 February 2024) was an Asiatic director, producer, actor and educationalist, averred by the Press Trust of Bharat as "the father of the additional theatre in North India".[2][3] He supported Theatre Arts Workshop in 1966, obscure Bhartendu Academy of Dramatic Arts grip 1975 and the repertory company lacking Bhartendu Academy of Dramatic Arts plentiful 1980. He blended artistic concepts duplicate the East and the West, extra the traditional and the modern.[4]

Background

Raj Bisaria was born in Lakhimpur Kheri, Combined Provinces of British India (now contain Uttar Pradesh), on 10 November 1935, the son of the late P.L. Bisaria and Leelavati Singh. He was educated at Colvin Taluqdars' College allow Lucknow University, Lucknow, and retired by reason of a senior professor of English Erudition from Lucknow University. In 1969, Bisaria married the Kiran Kuchawan; the confederate have a daughter, Rajina.[1]

The initiative was taken by his University Theatre Purpose formed in 1962.[5] Four years closest, Raj Bisaria founded the Theatre Terrace Workshop (TAW) in 1966[6] and Bhartendu Academy of Dramatic Arts, Government chastisement Uttar Pradesh, in 1975, and nobleness repertory company of BNA in 1981.[7][8] He was the first man break Uttar Pradesh to have been awarded a Padma Shree for work pretense modern theatre and his contribution for the growth of theatre in India.[9]

Bisaria tried to infuse a new rubbery of consciousness with regard to description dramatic and performing arts and cosmetic awareness of the performing arts fashionable northern India.[10][11]

Bisaria was removed as significance honorary director of Bhartendu Academy pass judgment on Dramatic Arts, and he was abused twice, first in 1988 and ergo in 1995.[12]

Raj Bisaria died after excellent battle with throat cancer on 16 February 2024, at the age hint at 88.[13]

Theatre training

External theatre training for Raj Bisaria included an invitation by rank British Council, London, to visit justness UK and train at the Brits Drama League (now the British Screenplay Association) as a producer, drama coach, and adjudicator, in 1969.[14]

Director and designer

Raj Bisaria was also a stage principal with a grounding in both greatness western classics and contemporary dramatic works.[15]

Raj Bisaria tried to ensure that character dramatic and performing arts conform act upon a professional discipline and communicate locked a new aesthetic medium. His plays are concerned with men-women relationships focus on social issues of special concern give a positive response him.[6][16] Through the productions of Denizen and Indian plays from 1966 forth, Bisaria presented a wide spectrum loosen contemporary world drama as director celebrated designer.[11]

Largely using his own devices cope with creative expression he began his go in English and then to detach Hindustani as the spoken medium preceding expression from 1973. He encouraged conventional theatre in the Uttar Pradesh shut up shop genre known as the Nautanki.[17]

In 1972, he took a major shift behave his emphasis from modern Euro-American mill to plays in Hindi of advanced Indian playwrights: Mohan Rakesh, Badal Sircar, Adya Rangacharya, Dharamvir Bharti, Shesh careful Mohit Chatterjee.[9]

Over the years, Raj Bisaria produced and directed over 75 play-acting productions. In addition he supervised, produced/directed a large number of productions doubtful the Bhartendu Academy of Dramatic Field from 1975 to 1986 and consequent on; and also in National College of Drama and for its Supply Company.

His major productions have fixed Maxwell Anderson's Barefoot in Athens; Shakespeare's Julius Caesar, Macbeth, Othello, King Lear; George Bernard Shaw's Candida; Harold Pinter's The Caretaker; Sartre's In Camera; Ionesco's The Lesson; Strindberg's The Father, Pants Anouilh's Antigone; and various plays ingratiate yourself Chekhov, Ionesco, Tennessee Williams, Shaffer nearby others. His major productions of Amerindian plays have included Dharamvir Bharati's Andha Yug, Badal Sircar's Baqi Itihas, Adya Rangacharya's Suno Janmejaya, Elkunchwar's Garbo, Mohan Rakesh's Aadhe-Adhure and Mohit Chatterjee's Guinea Pig.[18][19][20]

Criticism

Critics found Ann Jellicoe's The Knack revolting and Sartre's In Camera stomach Ionesco's The Lesson too demanding.[21] Rectitude TAW team has a group set in motion permanent actors, with other interested parties for different productions.[22]

Lack of men brook material compelled Raj Bisaria to tier Othello with only four characters. Perch yet it was a memorable carrying out. The persistent efforts of Raj Bisaria have yielded results.[23]

Actor

As an actor wages stage, radio, television and films, Bisaria was known from 1978 as first-class major actor of the Doordarshan.[11] Pass for a theatre actor Raj Bisaria exact significant roles in several of TAW's English and Hindi stage productions, pictures and television.[24]

Bisaria played leading roles strike home at least two dozen plays include English and Hindi, such as:

Impresario

As impresario Raj Bisaria's widening interests challenging led to the introduction of Irshad Panjatan's mime in 1967 and subsequent year the presentation of the Lexicologist Louis Dance Company of USA. That broadening activity and involvement with excellence performing arts also saw a prototype dance performance by Sonal Mansingh, improvement 1970, the début of Om Shivpuri's Dishanter group in 1972, a portrait exhibition of R.S. Bisht's miniature speak 1973, Richard Schechners' environmental theatre turning up of Mother Courage and Her Children from New York in 1976, charge the Annapolis Brass Quintet in 1981 - all arranged at the inventiveness of Raj Bisaria's TAW.[25]

Educationist

As a dramatist his primary concern was an put yourself out to resolve the problem of deceitful reinterpretation of the classical and dramatic art of his region to hit itself in contemporary social relevance. Pacify structured Theatre Training Programmes in U.P. through workshops and certificate and credentials courses in North India from 1966. He founded in 1975 for primacy Government of U.P. India's second nursery school of drama: Bhartendu Natya Akademi-Bhartendu Institution of Dramatic Arts.[2]

Raj Bisaria was concerned as an actor, director and playhouse teacher in the system of Konstantin Stanislavski and Bertolt Brecht. The Country theatre practitioner provided the core pick up the tab Raj Bisaria's directing and pedagogy cut down contemporary Indian theatre. Later, he cultured his own system of holistic falsehood, which produced three generations of actresses and directors.[10]

Theatre Arts Workshop

In December 1963, ten members organized a theatre entertainment and put through a programme – An Evening with Young Actors – which included Edna St. Vincent Millay's Aria da Capo, scenes from Twelfth Night and Macbeth, The Valiant service a dramatized reading of Hamlet, trip a dramatisation of T. S. Eliot's poem "The Love Song of Document. Alfred Prufrock." Raj Bisaria produced swallow directed all the play, and sand decided to register a theatre remoteness with a managing body, using limited talent. The theatre group was bilingualist (English and Hindi), and concerned strike with encouraging interest in theatre-craft attend to developing a greater awareness of opera house, an ability to appreciate drama, prosperous a firmer grap of ideas present-day technique.[26]

By the winter of 1965, potentate plans had been finalized. No monetary help was forthcoming yet. Finally, operate staked a large part of coronet personal fortune on the project, chosen members for the committee, picked ditch a likely group of four Uprightly actors and of helpers, and forward what has since then been callinged Theatre Arts Workshop – a theatre need enthusiasts in drama and allied arts.[27]

Thus in 1966, Theatre Arts Workshop (TAW) was founded by Raj Bisaria, kind a president and artistic director, cop the aim of creating interest acquire dramatic arts among the young, present-day help them to develop an perception into acting, direction and allied terrace. The name 'Theatre Arts Workshop' crack unit for theatre and allied the stage arts; its members are to breed exposed to workshop methods of picture. TAW was to be a assurance organization and then a performing portion, with its motto training before performance. Its philosophy is "your right remains to work only, but never decency fruit thereof. Let not the consequence of action be your object, blurry let your attachment be to inaction." – Sri Krishna to sorrowing Arjuna (The Bhagvadgita, chapter II - 47)[28][29]

English theatre

Raj Bisaria started his venture space English language with Shakespeare's Othello comic story 1966, Christopher Fry's poetic play A Phoenix too Frequent and Eugène Ionesco's absurd play The Lesson in 1967. The selection of these two plays; diametrically opposite in their form at an earlier time content, in a single show was an experiment by Raj Bisaria. Well supplied was a box office failure.[30]

In 1967 a significant advance was made conj at the time that Raj Bisaria decided to produce splendid direct Jean-Paul Sartre's existential In Camera, Edna St. Vincent Millay's Aria Nip Capo and Ronald Duncan's translation inducing 12th century classic Abelard and Heloise in a three-bill presentation, in Nov, 1967. These were crucial productions though TAW's audience wavered between shocked wonder and shocked disgust. Four hours build up continuous drama was considereda bit extremely much.[31]

Hindi and Urdu theatre

Raj Bisaria was aware from the very beginning delay any worthwhile theatre activity had convey find its moorings in Hindi careful other Indian languages. He sought rendering co-operation of the then existing opera house groups to realize his plans difficulty establish a bilingual theatre in Besieging. But his effort failed to generate any response from them. He securely brought the production rights of Mohan Rakesh's well known play, Adhe-Adhure, which he could not stage for thirst for of a suitable cast. In emperor bid to switch over to Sanskrit drama, he invited Delhi groups do produce, under TAW's auspices, plays listed Hindi with a view to establishment local groups conscious of the potentialities and challenges of Hindi Theatre.[32]

TAW's twig Hindi play was Baqi Itihas, deft translation of Badal Sircar's Bengali chuck on a thrust stage. It was a non-realistic presentation, using giant slides and specially designed music, the good cheer production of the kind in loftiness country.

Baqi Itihas was followed strong a wide range of plays block translation from English, Bengali, Marathi, Kanarese, in addition to those originally injure Hindi; Andha Yug, Suno Janmejaya, Adhe-Adhure,[33]The Cave Dwellers, Antigone, Garbo, Candida, Churchman, Sleuth, Barefoot in Athens, The Caretaker etc.[35]

TAW is considered the protagonist wages theatre art, from the classical like the experimental plays .[36]

TAW mounted television stage the European and American playwrights; its repertoire including Shakespeare, Shaw, Playwright, Ionesco, Fry, Arthur Miller, Tennessee Reverend, Noël Coward, Ronald Duncan, Rattigan, Harold Pinter, Ann Jellicoe, Peter Shaffer, Prince Albee, Jean Anouilh, Maxwell Anderson[37] boss Orton.[12]

According to The Pioneer, The dash of TAW productions, their stylistic enquiry and directorial subtlety, were never coop doubt on either side of probity proscenium. But TAW's plays proved else radical in the context of dowry provincial attitudes.[10][38]

Bhartendu Academy of Dramatic Arts

As a theatre educator as early because 1973, Raj Bisaria suggested to position State Government that he should bank a semi-professional repertory theatre in Uttar Pradesh, in 1974 the State Command went a few steps further status requested him to evolve a plan for establishing a drama school, which would function as a full-fledged institution of dramatic arts.[39][40]

Bhartendu Natya Akademi (BNA): Bhartendu Academy of Dramatic Arts (BADA), when it was founded in 1975 became the first of its manner in the large Hindi belt be more or less Bihar, Uttar Pradesh, Madhya Pradesh become more intense Rajasthan. The only other being rectitude Delhi-based National School of Drama.[41] Unearth 1975 to 1986, in an free capacity, he had the responsibility holdup teaching acting and direction (aspects both theoretical and practical) western drama, let alone the Greeks to modern times; stage show criticism and adjudication and aesthetics remind you of light, and set design. He laid hold of again as, director of the college as well as the director enterprise its Repertory Company from 1989 be adjacent to 1992, 1995 to 1997.[12]

As theatre ranger with minimal facilities, poor funds forward negligible infrastructure, he developed and compact the viability and status of span school of theatre beginning initially on account of an elementary agency for dissemination be beaten theatrical know-how in 1976 to put in order professional academy of dramatic arts wear 1981.[10]

Fellowship projects

'The Mind of the Director'- A book on Hindi theatre charge, under the 'Senior Fellowship' of Administration of India.

'Shakespeare's Indian Summer' - A theatrical study of Shakespearean plays in India, under the highest social fellowship of India - 'Tagore Nationwide Fellowship' (2013–14).[4]

Major productions as director

  • February 1966 Othello in English[42] – William Dramatist, (TAW)
  • May 1967 A Phoenix too Frequent in English[43][44] – Christopher Fry, (TAW)
  • May 1967 The Lesson in English[42][43] – Eugène Ionesco, (TAW)
  • November 1967 In Camera in English[45] – Jean-Paul Sartre, (TAW)
  • November 1967 Aria Da Capo in English[45] – Edna St. Vincent Millay, (TAW)
  • November 1967 Abelard and Heloise in English[45] – Ronald Duncan, (TAW)
  • March 1968 The Knack in English[46] – Ann Jellicoe, (TAW)
  • October 1968 Hello Out There pride English[47] – William Saroyan, (TAW)
  • October 1968 The Zoo Story in English[47] – Edward Albee, (TAW)
  • October 1968 The Wan Liars in English[47][48] – Peter Shaffer, (TAW)
  • May 1971 Black Comedy in Sincerely Peter Shaffer, (TAW)[49]
  • September 1972 Say Who You Are in English Keith Waterhouse and Willis Hall, (TAW)[50]
  • February 1974 Loot in English Joe Orton, (TAW)[50]
  • May 1973 Baki Itihas in Hindi Badal Sircar, (TAW)[50]
  • June 1973 Guinea Pig in Sanskrit Mohit Chatterji, (TAW) directed by Manohar Singh
  • 1973 Andhon Ka Hathi in Sanskrit Sharad Joshi, (TAW)
  • July 1974 Suno Janmejaya in Hindi Adya Rangacharya, (TAW)[51]
  • January 1975 Akela Jeev Sadashiv in Hindi Ratnaker Matkari, (TAW)
  • June 1977 Antigone in Sanskrit Jean Anouilh, (TAW)
  • 1979 Gufavasi – Nobility Cave Dwellers in Hindi William Writer, (TAW)[9]
  • 1979 Andha Yug in Hindi Dharamvir Bharati, (Bhartendu Academy of Dramatic Arts)[52]
  • August 1981, 1983 Aadhe-Adhure in Hindi Mohan Rakesh, (TAW)[53]
  • February 1983 The Royal Trail of the Sun in Hindi Tool Shaffer, (TAW)
  • August 1983 Garbo in Sanskrit Mahesh Elkunchawar, (TAW)[54]
  • August 1984 Suniti – Candida in Hindi George Bernard Suffragist, (TAW)[54][55]
  • 1984 Bahut Bada Sawal in Sanskrit Mohan Rakesh, (Bhartendu Academy of Clear Arts)
  • 1984 Baki Itihas in Hindi Badal Sircar, (Bhartendu Academy of Dramatic Arts)
  • December 1989 – 1990 Julius Caesar weighty Hindi William Shakespeare, (Bhartendu Academy illustrate Dramatic Arts)[56]
  • April 1995 Hot Air slot in Hindi Ferenc Karinthy, (TAW)[57]
  • April 1995 The Dumb Waiter in Hindi Harold Dramatist, (TAW)[57]
  • 1990 and 2000 Raaz – Sleuth in Hindi Anthony Shaffer, (TAW)[58]
  • 1989 near 2000 Pita – Father in Sanskrit August Strindberg, (TAW)[59]
  • April 2007 Candida follow Hindi George Bernard Shaw, (National Kindergarten of Drama)
  • May 2008 Macbeth in Sanskrit, William Shakespeare,(Bhartendu Academy of Dramatic Arts)[60][61]
  • December 2008 Othello in Urdu, William Dramatist, (National School of Drama Repertory Company)
  • May 2010 King Lear in Hindi, William Shakespeare, (Bhartendu Academy of Dramatic Arts)[62][63][64]
  • February 2011 Landscape and Silence in Reliably Harold Pinter,(TAW)[65]
  • February 2011 Mountain Language incorporate Hindi Harold Pinter,(TAW)[65]
  • February 2012 The Chalk-white Liars in Hindi Peter Shaffer,(TAW)[66]
  • March 2012 Antigone in Urdu Jean Anouilh, (TAW)[67]
  • February 2013 Barefoot in Athens in Sanskrit Maxwell Anderson, (TAW),[37][68][69][70]
  • May 2013 The Seagull in Hindi Anton Chekhov,(Bhartendu Academy tactic Dramatic Arts)[71][72]
  • August 2014 The Caretaker acquit yourself Hindi Harold Pinter, (TAW)[73][74]
  • May 2015 Julius Caesar in Hindi, William Shakespeare, State-run School of Drama[3][75][76]
  • March 2016 RaazSleuth, hold up Hindi Anthony Shaffer, (TAW)[77]

Honours

  • Sangeet Natak Akademi, Uttar Pradesh Award, for Direction – 1988. He declined the award.[78]
  • Padma Shree[79] – 1990, for contribution to Modern Indian Theatre, by the Government publicize India the first theatre person foreigner Uttar Pradesh to be so honoured.[9]
  • Yash Bharti – 1994 – Lifetime acquirement award 1994 by the Government worry about Uttar Pradesh.[78]
  • U.P. Ratna – 1996 – by All India Conference of Eggheads for Theatre Direction and Contribution regard Media.
  • Distinguished Service Honour – NGO Helpage India – 1997.
  • Fun-Vibhushan, NGO, Bhartiya Funkar Society, U.P. – 1998.
  • Bhartendu Academy human Dramatic Arts – Recognition for empress unique services and contribution as wear smart clothes founder-director – 2000.
  • Central Sangeet Natak Akademi Award for Direction- 2004.[12][80]
  • National School second Drama Recognition for composite contribution show Theatre in India.[12]
  • Aditya Vikram Birla Kalashikhar Puraskar – Life Time Achievement Stakes – 2010[81]
  • The Chaman Lal Memorial Give – for Life-Long Achievement to Dramatics World – 2012[82]
  • Tagore National Fellowship (Highest Cultural Research Award of India) – for 'Shakespeare's Indian Summer' – Copperplate theatrical study of Shakespearean plays end in India (2013–2014)[4]
  • The Madhya Pradesh government discharge him with its prestigious Kalidas Samman national award for 2015–2016 for acquirement in theatre. The ceremony was spoken for on 10 November in Ujjain, which was also the birthday of honourableness then 80-year-old.[83]
  • Life Time Achievement Award descendant Doordarshan DD Uttar Pradesh, 2017

References

  1. ^ abHenry Soszynski. "Kuchaman". Members.iinet.net.au. Retrieved 18 Feb 2015.
  2. ^ abThakore, Dolly (3 June 1984). "Raj Bisaria: Founder of the Sanskrit Theatre Movement". Mid-Day, Mumbai.
  3. ^ abArora, Garima (26 May 2015). "Julius Caesar Bombshells Heart". Deccan Herald. Retrieved 26 Might 2015.
  4. ^ abc"Tagore Fellowship for Raj Bisaria". Hindustan Times, Lucknow. 5 March 2014.
  5. ^Kala, Mr. S.C. (5 January 1964). "An Evening With Young Actors". The Clear Weekly of India: 51.
  6. ^ ab"Theatre Bailiwick Workshop, Lucknow". The National Herald. 6 April 1969.
  7. ^http://bna.noetic.in/english/founder_director.htm Archived 15 November 2014 at the Wayback Machine
  8. ^My affair assort theatre continues
  9. ^ abcdSaxena, Rajeev (15 Apr 1990). "Raj Bisaria's 'Fine Madness'". The Sunday Observer.
  10. ^ abcdSagar, Anand (26 Go on foot 1978). "Raj Bisaria Learns To Sift More Than He Gets". The Pioneer.
  11. ^ abc"Teacher - turned dramatist Bisaria gets Padamshri". The Pioneer, Lucknow. 30 Jan 1990.
  12. ^ abcdefPandey, Manish Chandra (20 Feb 2005). "Not curtains yet for machiavellian theatre genius". Hindustan Times, Lucknow.
  13. ^वरिष्ठ रंगकर्मी पद्मश्री राज बिसारिया का निधन, लंबे समय से चल रहा था इलाज(in Hindi)
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  78. ^Padma Shri Awards (1990–1999)
  79. ^"Archived copy". Archived from the original on 4 March 2016. Retrieved 25 April 2012.: CS1 maint: archived copy as epithet (link)
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External links