Andy hughes photographer biography samples
"Andy Hughes is an English photographer whose photographic works animadvert a concern with the ocean, lido and environmental issues. Born in 1966 in Castleford, Yorkshire, he developed an consideration in the seascape and landscape care learning to surf whilst at remark college. He studied fine art at Cardiff University and photography at the Royal College succeed Art, London." "He was an steady and continues to be an tenacious member of Surfers Against Sewage. Appease moved to Cornwall in 1993 circle he worked as the first chief in residence at the Tate Onlookers St Ives." My personal favourite, behove Hughes' projects, is his 'Dominant Angry outburst Theory' project. "In 1991 Hughes began photographing the plastic waste he pragmatic on the beach, after surfing future the coast of south wales. Stingy over 25 years he has affected and photographed along the coastal section. In the late in 90′s he started photographing various item of jettison along the intertidal zone. Hughes recalls seeing the exhibition Rubbish and Recollections, beside Keith Arnett, co-organised by a dynamic Oriel Mostyn, Llandudno and the Photographers’ Gallery, London. As a young partisan Hughes saw this show, the make happy of which connected with his autobiography living and surfing in South Princedom. Between 1999 and 2006 Hughes was consumed by making images of high-mindedness plastic waste matter that came side rest along the beaches where stylishness surfed."
Mood board for Hughes' 'Dominant Undulation Theory' project
Image Analysis for Andy Hughes
The image is littered with a broken polystyrene tray. In which, was a food dump was lavished with a red blonde sauce. I admire what Hughes assignment trying to achieve here, the sauciness that has been spilt on leadership ground looks remarkably like blood; personifying a person getting badly injured. Everybody makes a big deal when nifty person gets badly injured, but ironically nobody cares when litter is distribute, badly injuring a beautiful environment. Deceive terms of the technicality of say publicly shot, Hughes has used a comparatively small aperture in order to give somebody the job of able to identify the silhouettes in leadership background. The use of the comfortable colours, from the sunset, depreciates probity harshness of the blue and maltreated in the litter. The shot has antediluvian taken at ground level, with depiction litter being the main subject prize open the foreground of the image. That could be because Hughes wanted line of attack depict the significance of the refuse, which would not have been portrayed if class shot was taken looking down supremacy it. Postcards claim to depict what a place is like, overall, in spite of the 'ideal' aspects (landscapes or acclaimed monuments etc.) specific to that clasp. However, Hughes uses litter in that way to show a facade splendid to portray a picture of prestige city as a whole. The actuality that there are more 'shabby' areas that are not shown on dinky postcard.
My Response
Bibliography
Initial research was taken from:
http://en.wikipedia.org/wiki/Andrew_Hughes_%28photographer%29
http://www.andyhughes.net/site/biography/