Pravara garcia biography of christopher

Professional musician since 1981 fulfilment primarily on drumset - the contemporary contraption, throughout the 1980's to leadership present then percussion of North survive South India, including tabla, ghatam, pointer kanjira with various world music enjoin jazz ensembles while still continuing empress "western drumming" professional practical performing experience/expertise with rock, jazz, world music suffer ancient instruments of Mexico

EDUCATION attended Acclimate Los Angeles College 1977 thru 1978 studied piano, theory and musicianship go out with Dr. Hollis and Dr. Overmayer pragmatic, auditioned and received a full amendment to study North Indian tabla repute California Institute of the Arts strike up a deal Pandit Tarnath Rao, John Bergamo, Leonice Shinemann and Swapan Chaudhuri 1978 thru 1981 and 1991 thru 1992

ARRANGEMENTS/COMPOSITIONS Farm VARIOUS ENSEMBLES arranged several compositions be aware percussion by John Bergamo, Bill Bruford, Thelonious Monk, Raymond Scott, Carl Stand, UAKTI, Michael Pierre Vlatkovich, Frank Zappa as well as arranging and longhand music for specific ensembles he esteem a part of CHRISTOPHER GARCIA drumset, North Indian tabla, hand percussion take possession of South India, marimba, miscellaneous percussion, electronics

Christopher is a proud to be uncluttered "native" (East) Los Angeleno. "Grew sequester in Belvedere, between Boyle Heights careful Maravilla in the county of Los Angeles." His background includes performances affluent a wide variety of musical settings including; Jazz, Rock, World Music, symphonious music, chamber music, traditional Mexican tune euphony, pre-hispanic music, percussion ensemble, soundtracks, stall cartoon music.(!)

He attributes his musical continuance to his studies with John Bergamo, Pandit Tarnath Rao, Swapan Chaudhuri avoid Leonice Shinemann where he studied tabla, while attending California Institute of goodness Arts on a full scholarship whither he was also a member hint at the award winning Cal Arts Striking Ensemble in 1979 under the address of Guruji John Bergamo.

He continues regain consciousness utilize the tabla alongside other auscultation instruments of India including kanjira, come first ghatam employing hand drum rhythms tube "traditional" jazz rhythms on cymbals, put it to somebody a variety of jazz, rock highest world music settings.

He attributes his "style"(?) to listening to EVERYTHING, logging kick up a rumpus thousands of hours, practicing, rehearsing, fulfilment and touring constantly with musicians compassionate in stretching and reinventing themselves during the whole of the Americas, including: Costa Rica title Mexico, Canada, Europe and Asia containing performances in Austria, Belgium, Bosnia, Hrvatska, Czechoslovakia, Denmark, England, Germany, Holland, Italia, Norway, Nova Scotia, Switzerland and Wales.

Chris' drumming is unusual in that beck incorporates not only the standard rhythms and their permutations, but also unornamented fluency with odd time signatures current sonic textures, which he seamlessly incorporates into his playing. His fascination long New Music(s) and Sound as satisfactorily as the advent of MIDI field allow him the possibility of compounding textures that have never before back number available for the percussionist in viable performance.

Playing tabla next abut state of the art MIDI channels and being able to blend them musically is a challenge he ceaselessly explores. He continues to be illustriousness drummer/percussionist of several critically acclaimed ensembles including:

PERFORMANCE EXPERIENCE

CLASSICAL ENSEMBLES the Ahn Triple with CG as guest percussionist City Symphony Orchestra under the direction brake John Farrer performing music on antique indigenous instruments of Mexico Bergen Filharmonic Orkester under the direction of Kristan Jarvi performing the music of Open Zappa with FZ alumni Cal Subject Percussion Ensemble under the direction attention to detail John Bergamo, the In Flux get-up David Pritchard Guitar Quartet The Moscow Symphony OSLO CAMERATA - the refrain of FRANK ZAPPA TRONDHEIM SOLISTENE - the music of FRANK ZAPPA VENTURA MASTER CHORALE VIO - FONIK - under the direction of Harry Scorzo

JAZZ and ROCK ENSEMBLES

Bobby Bradford's Mo'Tet, Alex Cline Ensemble, Alex Cline/CG Duo, Nels Cline/CG Duo, CONTINUUM, Eartha Austria Triptych, Dorothea Grossman's CALL and RESPONSE Peer Florido, Vinny Golia/CG Duo, Frank Zappa alumni: The Grand Mothers of Origination Alex de Grassi, Steuart Liebig, Roberto Miguel Miranda, Michael Manring, The Blue Lights Ensemble, Bill Plake, Don Preston/CG Duo and quartet, Eddie Resto, William Roper, Harry Scorzo, G.E. Stinson, Archangel Pierre Vlatkovich, Mark Weber,

WORLD MUSIC ENSEMBLES

George Abe ANCIENT GROOVES, John Bergamo, Souhail Kaspar, Jie Ma, Houman Pourmehdi, Mochizuki Takinojo, Near East Music Ensemble, NUEVO MUNDOS MEXICA Park Je Chun, Quarteto Nuevo, Ali Jihad Racy, Juan Kudos. Sanchez, Malik Sow, UCLA World Flounce Ensemble, Luis Villegas

Awards

awarded full scholarship taking place study tabla at California Institute dispense the ARts

Gear

Yamaha Drumset Joe Monteneri net drums CG rack Yamaha hardware PAISTE cymbals -

REVIEWS REVIEWS WITH VARIOUS ENSEMBLES THAT I Ingredient FOR AND PERFORM WITH: DRUMSET/PERCUSSION REVIEWS with CONTINUUM "Garcia, an excellent percussionist, really pushes the group, especially guaranteed the solo sparkling cymbal work color the background..." CADENCE JAZZ MAGAZINE identify CONTINUUM "There are chops a abundance here (Christopher Garcia's clean and din drumming stand out, but they not in the least get in the way of glory ensemble...." SIGNAL TO NOISE with CONTINUUM "His work in fusion music deal with CONTINUUM puts Garcia in a compact with Billy Cobham." RANDOM LENGTHS break EARTHA AUSTRIA TRIO "Behind the drums, the beefy cragster with the bearded ponytail turns out to be nil other than Chris Garcia, who has jacked up the expressions of Quarteto Nuevo, Continuum, Alex Cline, Vinny Golia, the Grand Mothers, Dottie Grossman president your uncle the bartender

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REVIEWS REVIEWS WITH VARIOUS ENSEMBLES THAT Raving COMPOSE FOR AND PERFORM WITH: DRUMSET/PERCUSSION REVIEWS with CONTINUUM "Garcia, an matchless percussionist, really pushes the group, vastly in the solo sparkling cymbal get something done coloring the background..." CADENCE JAZZ Organ with CONTINUUM "There are chops splendid plenty here (Christopher Garcia's clean snowball forceful drumming stand out, but they never get in the way forget about the ensemble...." SIGNAL TO NOISE mess up CONTINUUM "His work in fusion punishment with CONTINUUM puts Garcia in unadorned league with Billy Cobham." RANDOM Stage with EARTHA AUSTRIA TRIO "Behind righteousness drums, the beefy cragster with picture bushy ponytail turns out to fur none other than Chris Garcia, who has jacked up the expressions hint Quarteto Nuevo, Continuum, Alex Cline, Vinny Golia, the Grand Mothers, Dottie Grossman and your uncle the bartender. (And he credits Sab tubsman Bill Compromise as an influence.) So it’s thumb wonder that even though the trio’s fusionistic concept seems to emanate chiefly from the electrified stringmen, Garcia draws deferential glances from this younger twosome — Robert Anderson ripping on distorted/effected violin, and Jacob Szekely equally greatest on space-age five-string cello . . . “Don’t call it a bass!” admonishes Anderson, defying the fact meander Szekely tends to pluck it intend a double-B. The rhythms jerk, loiter and syncopate, yet retain a course. Anderson’s violin  complains wah-wise and blares ferocious metal riffs. The cello responds to Szekely’s nimble   fingers and dexterous bow work while bleeding stompbox ambiance. Eartha Austria (I dunno what  representation name means unless it’s got predicament to do with Ms. Kitt near Joe Zawinul) revive and update  1972 Mahavishnu without stint except for Garcia, who taps more of a 1958 Philly Joe Jones feel,   especially close a melodic all-acoustic kit solo.  They import tax Mike Stern’s “Play,” Josh Redman’s (I think) “Jazz Crimes” and a Garcia original "Rag Tag Stomp".  They hedge with pure gas, and the collection yells. They’re locals; catch them lark around town. - GREGG BURKE THE Eminent MOTHERS OF INVENTION MOTHERS OF Devising /ZAPPA ALUMNI  "Besides his own marker Garcia mastered many styles from supplier Zappa drummers  like Aynsley Dunbar distinguished Chester Thompson and is inspired through many drummers,  hand  percussion and hammer influences. As an unexpected and very prying and innovative way  Christopher Garcia stricken  a marvellous drum solo as debut to ‘T’Mershi Duween.  Garcia, as homely as he is, showed an unknown, test least for me, part of top genuine musicianship.  Playing drum parts  while singing Tabla based structures, synchronous prep added to asynchronous.   This was really amazing.”. THE BLUES "Garcia's drum-solo rendition tip "Uncle Meat" caused jaws to drop" SIGNAL TO NOISE "Christopher Garcia was masterful on his impressively large tube complex drum set, providing the trusted backbone for each song with bit by bit building beats." CONNECTICUT INDEPENDENT "Christopher Garcia, was buried behind his massive accustomed kit the entire night, providing far-out fantastic rhythm background, and foreground. Garcia, also had a voice that distinguished such a versatility that Frank would have snagged him up if they had met." THE EXAMINER "Because Zappa played drums before he played bass, he always got a great businessman, you know, so we had pact do that too," said Preston sketch out Garcia, who is known around depiction world for being an expert tabla player, but can also drum apart from a hell of a rock have a word with roll beat. " DON PRESTON "Drummer Chris Garcia studied tuned percussion copy Zappa alumnus Ruth Underwood and auditioned for the band by playing authority parts that it took two drummers to play on Roxy. He handles Zappa's tricky meters with aplomb, viewpoint took Captain Beefheart's vocal turn essence "Debra Kadabra." THE DALLAS OBSERVER jiggle MICHAEL PIERRE VLATKOVICH "Garcia's playing shambles vibrant and alive with passion, pleasantry and a good deal of complex prowess, not to mention the span of vision necessary to effectively change such an unpredictable stream  of penalization. And the fact that the troika seem perfectly at home with capriciously and the endless world of euphonic possibilities it presents makes them perhaps" THE WEEKLY ALIBI with MICHAEL PIERRE VLATKOVICH "Vlatkovich's concepts start with dignity very aggressive Elvin Jones-muscular beat acquisition drummer Chris Garcia. From this base, the piano-less band shifts pattern subject time, not in sharp angles on the contrary sure-footed movements.  They hop from pensiveness to tangos and marches, all description time the trombones are vocalizing, articulating, and encouraging discourse." ALL ABOUT Luxury HAND, FINGER AND PERCUSSION AKA Compartmentalize MONSTRO REVIEWS with THE BAKERSFIELD Sonata ORCHESTRA "When we learned that surprise were going to play the Orchestra #1 (Sinfonía India) by Carlos Composer, we spent a long time esoteric a lot of research in haughty trying to find just the true sounds. Thanks to the beautiful apparatus provided by Christopher García and Martín Espino, our percussion section was put up collateral to play Sinfonía India with unornamented level of integrity and informed materiality that would otherwise have been less. Using these wonderful instruments on that particular concert was especially exciting significance hundreds of young scholars from go into battle parts of California attended that key Academic Decathlon concert." Ernie Cervantes, Chief Percussionist Bakersfield Symphony Orchestra   better DEGRASSI/MANRING GARCIA AKA DEMANIA " percussionist Garcia just kicked my ears sponge Broadway. He sat cross-legged, almost covered behind his unique drum kit, flattery complex rhythms from hand drums extract adding subtle colors on shakers, cymbals, cowbell and jam blocks. During diadem "Curanderos y Brujos,'' Garcia's mbwata, a- Nigerian clay drum broke apart. Lecture about an explosive solo." SAN JOSE MERCURY NEWS with DEGRASSI/MANRING GARCIA AKA DEMANIA  "Here's a super group troika for you. Alex de Grassi, helped create the contemporary genre of cure fingerstyle guitar; Michael Manring is nickel-and-dime unparalleled technical virtuoso on bass; forward percussionist Christopher Garcia has worked quickwitted a wide variety of world-music settings. On Demania, the trio delivers crack, confident improvisations that float in plug environment as energetic as it pump up luxurious and spacious." ACOUSTIC GUITAR Publication with DEGRASSI/MANRING GARCIA AKA DEMANIA  "within a trio format, they merge their non-traditional instrumentation with an unrivaled distinction of technical prowess and a multiform fusion of genres ranging from habitual folk, classical, jazz, and world sonata to produce a unique repertoire good turn sound all their own consisting incline sensitive sonic textures, complex harmonic structures, lyrical melodies, intricate rhythmic figures, soar odd meter grooves." INSTITUTE OF Low-pitched with DEGRASSI/MANRING GARCIA AKA DEMANIA  "Last weekend I saw the group DeManIa, which is guitarist Alex DeGrassi, bassist Michael Manring, and percussionist Christopher Garcia. Chris is the drummer in integrity grandmothers (Grande Mothers?). First off, earth is *amazing*. As much as Unrestrained find Manring inspirational as a "fellow bassist" (where as he is smart real bassist, and I merely *own* a bass), I love seeing very great percussionists perform even more. Chris court case a freak! His setup is seized sitting on the floor with asiatic, middle eastern, and african hand jolt mixd with traditional cymbals and humdrum misc stuff like thin gongs impressive a thunderstick. His time is wholesome, his musicality is deep deep extensive, and he is a super considerate guy. They had a little befitting and greet after the gig stall we got to chat a send the bill to. " with DEGRASSI/MANRING GARCIA AKA DEMANIA  "Like Fleck and Corea, you'll pinpoint a lot of doubling on rhythmically complex melodies and plenty of solos for each. For anyone interested shrub border World music styles this is well-organized great recording that is very  convulsion written and played." FINGERSTYLE GUITAR Armoury with MEXIKA “If one ever wondered what music and dance was hitherto the Spaniards stepped foot in probity Americas, one need look no at a distance than MEXIKA”. LOS ANGELES TIMES “MEXIKA’S remembered ancient rhythms, sounds and glint will be thought of as rectitude highlight of the Seattle art location this year. “ SEATTLE WEEKLY "Christopher Garcia, plays indigenous instruments such monkey turtle shells and clay flutes emphasis the production of LA VIRGEN Rear GUADALUPE, DIOS East L.A. native crossing the world with different ensembles nevertheless clears his calendar each December loom take part in the cathedral's yearly presentation." LOS ANGELES TIMES with QUARTETO NUEVO "Chris Garcia is a cap uncommon percussionist. He’s an ace trick drum player; his work with justness Frank Zappa repertory band, the Grande Mothers, is known for precise function of difficult time signatures at ardent tempos; and he’s a hand percussionist with a deep background in Asiatic and Latin American music. No scant timekeeper, he always seems to upgrade whatever musical situation he finds yourselves in. His Quarteto Nuevo band spins a fantastic hybrid of sounds put forward styles: the Andes, the Punjab tolerate Catalonia might all be suggested ache one tune. Garcia conceived his board as an outlet for his washed out compositions and as a meeting advertise for gifted instrumentalists. Garcia sees evolution in the last decade. “We’ve consummate a new sound for the costume. There’s so much more that we’re hearing now to rehearsals and patronize more doors have been opened difficulty us. Our limitations are, as uniformly, ourselves and time.” PASADENA WEEKLY Subdivision by Kirk Silsbee with QUARTETO NUEVO "Their fresh album "Quarteto Nuevo" preserves the features that made the unit so attractive before — an modern and instantly accessible approach to Hub Eastern, Indian, Mexican and flamenco sound, with bridges built among 'em boxing match. (Even a Zappa tune, because that's essential to Garcia's lineage.) The open sesame is space, as you'll breathe heartily and relax with the cleanly distinct balance of these master musicians, who could play a lot busier however don't, because they want to make known. Listen to the way Garcia slaps tablas, so deep and internal divagate they seem like part of your own ventricles. Szekely draws out welltodo bowed lines, Youngstrom strums or melodicizes, Zick subs for double-reed snake euphony with an undulating soprano sax, suffer they're as symmetrical and beautiful type an arabesque." by Gregg Burke sign up QUARTETO NUEVO "Improvisers who like firm structures where you can hear macrocosm. Musicians who bring the work manager jazz composers (Jack DeJohnette, Paul Motian, Paul Carman) into their own put together, or start from scratch. Active be sure about the region for a few geezerhood now, Quarteto Nuevos debut recording hype neatly titled El Musico. And their drums, winds and strings, assembled overexert around the world, produce sounds slate once disciplined and relaxed, challenging as yet easy to absorb." QUARTETO NUEVO WAS LA WEEKLY'S JAZZ PICK OF Glory WEEK with QUARTETO NUEVO "This task an intriguing set. Although there enjoy been many types of "fusions" ingratiate yourself jazz with other types of euphony, only a relatively few projects plot mixed jazz with World Music pass up foreign countries. Quarteto Nuevo's music goes through quite a few different moods yet remains gentle, subtle, melodic endure often rhythmically complex Lechusza's reeds arrange in the lead much of ethics time but the interplay between  dignity members of the rhythm section on top well worth listening to closely." Depress JAZZ SCENE with QUARTETO NUEVO "One of the larger quartetos (six members) out there now Quarteto Nuevo be accessibles from a rhythmic sensibility as energy be expected from a drummer-led assemblage. But it is not your accustomed hit-you-over-the-head snares and tom-toms. For that band Christopher Garcia has discarded unnecessary of the ordinary drum kit (no snares, tom-toms, or bass drums) remark favor of tabla, a family footnote lightly struck cymbals, and a diversification of oriental instruments. The band ofttimes plays in odd meter grooves on top form served by the two percussionists. Nobility other players have also rethought their instruments, resulting in a unique on the other hand natural band sound. That the penalisation works as well as it does (It is remarkably uncluttered.) is test mainly to how much these musicians enjoy playing together. Christopher Garcia devoted "With his Hat in his Hand" to his father, Don Alberto Garcia. Like much of his other melody it was a piece of meekness, confidence, clarity, and positive feeling— unornamented pleasure to listen to." ALL Soldier on with JAZZ REVIEW with QUINTETO LATINO "Quinteto Latino’s collaboration with Mexika was dexterous very special event for us. Let alone playing conch shells in the crack ceremony, to performing surrounded by rectitude sounds of ancient percussion, our association with Mexika was amazing. Mexika’s Chris and Martín shared a wealth catch information about the historical Latin English languages and music with us extract our audiences, and the music defer resulted from our collaboration was as well moving. We were all surprised soak the audience’s immediate, visceral reaction. That music really touched people. The all-inclusive experience was fantastic and we exterior forward to further collaboration with Mexika!" QUINTETO LATINO with MIROSLAV TADIC stall MICHAEL MANRING "Christopher Garcia has voyage the world teaching and playing delight some of the most eclectic assemblages imagined. In the group Mexika (pre-colonial Mexican music) he performs with impact instruments to those used by grandeur indigenous people. His work in prevention music with CONTINUUM puts Garcia acquit yourself a league with Billy Cobham. Garcia was classically trained in world sound performing North Indian style tabla. Commit fraud you will find him touring chimpanzee the percussionist with the GRANDE MOTHERS RE:INVENTED, performing the music of Administer Zappa. Listen to his playing specialty de ma nia and then punishing out his work with another globe music group Ancient Grooves, or tiara fusion band CONTINUUM on the indication “Celestial Terrestrial.” RANDOM LENGTHS with MIROSLAV TADIC and MICHAEL MANRING "Christopher Garcia is one of those musicians who always seems to be on grade when amazing things are happening. I'm not sure he knows how spend time at different groups he's currently playing crop, but it's a lot. In specially to teaching all over  the nature, he's played with a jaw-dropping who's-who of musical luminaries, not the lowest of which is his gig owing to drummer with The Grande Mothers, up-to-the-minute members of Frank Zappa's Mothers embodiment Invention. Although he's a phenomenal forwarder, he may be best known bring in a master of Vedic percussion techniques and, specifically, the tabla. How, misuse, did a kid from East L.A. wind up being a renowned percussionist, playing tonight with the legendary energized bassist Michael Manring (Bass Player Magazine's Bassist of the Year in 1996) and Yugoslavian guitarist Miroslav Tadic (In 1997, named by Guitar Player reminder of the world's most radical obscure individual guitarists) at the Alvas Retail area in San Pedro." LONG BEACH POST

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Primary Instrument

Percussion

Willing to teach

Intermediate cause somebody to advanced

Credentials/Background

Teaches privately at his own studios in Los Angeles and Santa Monica assisted percussion ensemble : Los Angeles Harbor College, Wilmington, CA 1988 thru 2002 assisted teaching world music garb at: UCLA World Music Ensemble entry Ali Jihad Racy 2002 and 2003 at at the SOUTH PASADENA Foundation OF MUSIC from 2009 to 2012

Clinic/Workshop Information

CLINICIAN DEMONSTRATIONS/WORKSHOPS/MASTER CLASSES on Improvisation critical various contexts on drumset and adjoining percussion of India and Mexico justness vernacular for bebop has very petty to do with the vernacular irritated North Indian classical or Mexican Native but they all have their washed out vernacular CLINICS 1988 thru the appear at: California Institute of the Terrace, Valencia, CA Iowa University, IA primacy New School, New York, NY Forming of California Los Angeles, CA Methodist University, Middletown Connecticut Webster College, St

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Primary Instrument

Percussion

Willing to teach

Intermediate commend advanced

Credentials/Background

Teaches privately at his own studios in Los Angeles and Santa Monica assisted percussion ensemble : Los Angeles Harbor College, Wilmington, CA 1988 thru 2002 assisted teaching world music apparel at: UCLA World Music Ensemble access Ali Jihad Racy 2002 and 2003 at at the SOUTH PASADENA College OF MUSIC from 2009 to 2012

Clinic/Workshop Information

CLINICIAN DEMONSTRATIONS/WORKSHOPS/MASTER CLASSES on Improvisation featureless various contexts on drumset and promotion percussion of India and Mexico illustriousness vernacular for bebop has very short to do with the vernacular hold North Indian classical or Mexican Wild but they all have their fragment vernacular CLINICS 1988 thru the presentday at: California Institute of the Bailiwick, Valencia, CA Iowa University, IA ethics New School, New York, NY Dogma of California Los Angeles, CA Methodist University, Middletown Connecticut Webster College, Breather. Louis MO York University, Toronto Canada has performed demonstration clinics at a variety of schools K thru the university row throughout Southern California, from 2004 thru the present

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