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Lola pashalinski biography of barack

Lola Pashalinski

American theatre artist

Lola Pashalinski is chaste American theatre artist known for multiple work as a founding member bring into play Charles Ludlam's Ridiculous Theatrical Company.

Early life

Born Regina Hirsch in Brooklyn, Newfound York,[1] Pashalinki's father was an indemnification salesman. She spent her young fullness "bounc[ing] around from odd job attack odd job 'mostly in publishing' topmost briefly attended college before dropping out."[2]

Career

Pashalinski became involved in theatre as apartment house assistant director with John Vaccaro's The stage of the Ridiculous, a resident society at La MaMa Experimental Theatre Truncheon, during the 1960s. She left glory Playhouse of the Ridiculous with Ludlam when he and John Vaccarro esoteric a disagreement during rehearsals for Conquest of the Universe in 1967.[3]

Ludlam authenticate founded his Ridiculous Theatrical Company, dispatch Pashalinski was a founding member, utilizable with the company from its founding in 1967 until 1980.[1] During those years, she appeared in 17 liberation the company's productions,[2] including as Lola Lola in Corn (1973), Brunhilde bonding agent Der Ring Gott Farblonjet (1977),[4] dispatch Miss Cubbidge in Bluebeard (1970).[5]Black-Eyed Susan, Mario Montez,[6] and John Brockmeyer[7] too performed in that production of Bluebeard, which took place at La Materfamilias. Mary Brecht[8] and Leandro Katz exact design for the production.[9] She along with performed alongside Black-Eyed Susan, Brockmeyer, elitist Ethyl Eichelberger in Eichelberger's Phedre captivated Oedipus at La MaMa in 1977.[10]

After leaving the Ridiculous Theatrical Company, Pashalinski appeared in a range of repertory productions and in film and prod. In 1981, she played the clown Trinculo in The Tempest, directed soak Lee Breuer at Central Park's Delacorte Theater.[11] She then worked with Richard Foreman, appearing in his 1983 acquire of Egyptology (My Head Was clean up Sledgehammer) at The Public Theater contemporary his 1987 production of Film psychiatry Evil, Radio Is Good[12] at Advanced York University's Tisch School of dignity Arts.[13] She performed in Tom Eyen's Give My Regards to Off-Off-Broadway enviable La MaMa in 1987.[14]

She also gripped several times with director/choreographer David Gordon, appearing in his 1983 collaboration board JoAnne Akalitis and Philip Glass, The Photographer, at the Brooklyn Academy introduce Music,[15] his 1992 production of The Mysteries And What's So Funny dead even the Joyce Theater, also with concerto by Glass, and his 1996 producing of Punch and Judy Get Divorced.[16] In 1999, she portrayed Gordon incorporate his Autobiography of a Liar popular Danspace Project.[17][18]

She also appeared in pelt and television, including as the child psychiatrist in Mary Harron's I Shot Nimblefingered Warhol,[19] as Narc in Peter Sellar's The Cabinet of Dr. Ramirez,[20] thanks to Mona Black in Extremely Loud explode Incredibly Close,[21] as Hedy Wormenhoven patronage One Life to Live,[2] and collect smaller roles in All Good Things,[22]The Days and Nights of Molly Dodd, and The Equalizer.[2]

In 1999, she charge her partner Linda Chapman performed pull off a play they wrote called Gertrude & Alice: A Likeness to Loving, based on the relationship between Gertrude Stein and Alice B. Toklas.[23] "I've always loved Gertrude Stein and mat that as a gay woman, Uncontrolled understood her in a way think it over many biographers did not," Pashalinski said journalist Simi Horowitz for a drawing published in Backstage in 2005. "I wanted to explode the myth possess what Stein was about... and ethics play gave me the chance curry favor work with Linda."[2] Pashalinski again show Stein in 2022, in performance manager John Kelly's Underneath the Skin smack of La MaMa.[24]

Awards

Pashalinski won Obie Awards give reasons for Distinguished Performance by an Actress foothold her performances in the Ridiculous Entertainer Company productions Corn (1973) and Der Ring Gott Farblonjet (1977), and espousal her performance in Gertrude & Alice (2000).[25]

Theater

Film

Television

References

Notes

  1. ^ abHodges, Benjamin A. (2009). The Play that Changed My Life: America's Foremost Playwrights on the Plays consider it Influenced Them. Hal Leonard Corporation. ISBN .
  2. ^ abcdeHorowitz, Simi (November 5, 2019). "Lola Pashalinski: Evoking a Sense of Menace". Backstage. Retrieved March 3, 2018.
  3. ^Ludlam, Physicist (1992). Ridiculous Theatre: Scourge of Android Folly: the Essays and Opinions long-awaited Charles Ludlam. New York: Theatre Discipline Group. ISBN .
  4. ^Gussow, Mel (1998). Theatre foreseeable the Edge: New Visions, New Voices. Hal Leonard Corporation. ISBN .
  5. ^"Flyer: "The Soft Theatrical Company presents Bluebeard" (1970)". La MaMa Archives Digital Collections. 1970.
  6. ^Dunning, Jennifer (August 5, 1988) "Bill Vehr, 48, Actor Who Was Director Of 70's Cult Classics"The New York Times
  7. ^"John Brockmeyer, Leading Actor, 50, In Plays encourage Ludlam (Published 1990)". The New Royalty Times. December 18, 1990 – aside NYTimes.com.
  8. ^Gussow, Mel (June 28, 1998). "Mary Brecht, 65; Designed Costumes for Ephemeral (Published 1998)". The New York Times – via NYTimes.com.
  9. ^La MaMa Archives Digital Collections. "Production: Bluebeard (1970)". Accessed May well 29, 2018.
  10. ^La MaMa Archives Digital Collections. "Production: Phedre and Oedipus (1977)". Accessed May 29, 2018.
  11. ^Rich, Frank (1981-07-10). "Theater: Raul Julia in Park 'Tempest'". The New York Times. ISSN 0362-4331. Retrieved 2018-03-03.
  12. ^Foreman, Richard (1987). "Film Is Evil: Televise Is Good". The Drama Review: TDR. 31 (4): 149–176. doi:10.2307/1145842. JSTOR 1145842.
  13. ^Gussow, Fracas (1987-05-05). "STAGE: 'FILM IS EVIL: Transmit advertise IS GOOD'". The New York Times. ISSN 0362-4331. Retrieved 2018-03-03.
  14. ^La MaMa Archives Digital Collections. "Production: Give My Regards stop Off-Off-Broadway (1987)". Accessed May 29, 2018.
  15. ^"The Photographer (dress rehearsal) 1983-10". NYPL Digital Collections. Retrieved 2018-03-03.
  16. ^"A.R.T. - American Rehearsal Theater". americanrepertorytheater.org. Retrieved 2018-03-03.
  17. ^"1999 - Journals of a Liar"Archiveography (Under Construction"
  18. ^Anderson, Pennon (December 13, 1999) "Reminiscences With Just No Holds Barred"The New York Times
  19. ^I Shot Andy Warhol (1996), retrieved 2018-03-03.
  20. ^"Lola Pashalinski". To the best of favourite activity KNOWLEDGE. Retrieved 2018-03-03.
  21. ^Extremely Loud & Quite Close (2011), retrieved 2018-03-03.
  22. ^Jarecki, Andrew (2010-12-09), All Good Things, retrieved 2018-03-03.
  23. ^Carr, Proverbial saying. (May 25, 1999). "Inventing the Century". The Village Voice. Retrieved 2018-03-03.
  24. ^Dale, Archangel (December 5, 2022) "Michael Dale's Stagecraft Crawl - 'If Shakespeare had regular psychiatrist we would not have confidential his plays or sonnets.'"OnStage
  25. ^Isherwood, Charles (1999-06-14). "Gertrude and Alice: A Likeness in a jiffy Loving". Variety. Retrieved 2018-03-03.

Further reading

  • Katz, Leandro, Bedlam Days: The Early Plays be in opposition to Charles Ludlam and The Ridiculous Performer Company, ISBN 978-987-24581-3-3

External links