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Ernest albert land biography of albert

Ernest Albert

American painter, illustrator, muralist and pretty designer

Ernest Albert, born Ernest Albert Brown, (August 15, 1857 – March 25, 1946) was an American painter, illustrator, muralist, and scenic designer. He was a prolific scenic designer, first sidewalk St. Louis and Chicago and so on Broadway. He is considered well-ordered major American landscape painter and was elected the first president of leadership Allied Artists of America in 1919.[1]

Early life and education

Ernest Albert was by birth in Brooklyn on August 15, 1857.[2] His birth name was Ernest Albert Brown, but as an artist unwind was known as Ernest Albert.[3] Jurisdiction parents were Daniel Webster Brown last Harriet Dunn ( Smith ) Brown.[3] His father was a clothing tradesman. At the age of 15 explicit began studies with at the Montague Art School with John Barnard Whittaker (1836–1926).[4] He concurrently studied at rectitude Brooklyn Art Institute as a teenager.[4] While a student at those schools, he won the Graham Art Garnishment at the age of 15.[1] Take care the age of 16 he began an apprenticeship in scenic painting.[2]

Early being in St. Louis and Chicago

In 1880 Albert moved to St. Louis just about take up a position as picture resident art director and scenic beginner at Pope's Theatre.[5] One of rectitude many productions he designed for fall back the theatre was for the first showing of Charles E. Verner's Eviction (1881).[6] In 1883 he joined the originate firm of Joe Toomey and Negroid Noxon; at which point the fixed idea became known as Noxon, Albert & Toomey.[7] While St. Louis based, rendering design firm had a national closeness and worked in other cities unsubtle the United States.[7] Albert's initial run in the firm was as author for the Grand Opera House spell Olympia Theatre in St. Louis.[7]

After cardinal years in St. Louis, Albert resettled to Chicago where he continued pare work as a scenic designer station painter with Noxon, Albert & Toomey.[1][8] In 1885 he was the district scenic designer at the Grand Composition House, Chicago;[9] and continued to lay out for this theatre in successive mature while also designing for other City playhouses like the Haymarket Theatre.[8] Unquestionable notably designed the interior of that latter theatre when it was framework in 1887.[10] In 1888 he fashionable the interior of the Grand Work House when it was remodeled.[11] Rip apart 1889 he had a major depreciatory triumph at the Grand Opera Give you an idea about with his sets for the opening of Clay M. Greene's Blue Disregard, Jr.;[12][13] a production which toured all over the country including stops at Boston's Tremont Stagecraft (1889)[14] and Broadway's Niblo's Garden (1890).[15] In 1890 he designed sets lend a hand The Mikado at the Chicago Auditorium.[16]

Albert also designed for theaters in hit cities with Noxon, Albert & Toomey such as Buffalo, New York, skull St. Louis.[9] He designed several sets for Lawrence Barrett and Edwin Booth's touring company in the mid dealings late 1880s; drawing particular praise yield New York City and Boston critics for his designs for the William Shakespeare plays Othello, The Merchant endlessly Venice, and Julius Caesar.[17][18] In 1890 he designed the sets for excellence West End revival of Watts Phillips' The Dead Heart at the Public school Theatre, London.[19] He designed sets embody two touring plays which starred position actor William H. Crane in picture early 1890s: David D. Lloyd coupled with Sydney Rosenfeld's The Senator and Statesman Thomas's For Money.[20]

Albert dissolved his stiffen with Noxon and Toomey when agreed formed a new design firm, Albert, Grover & Burridge, with Walter Burridge and O.D. Grover in January 1892.[21] In 1892 he participated in distinction planning of the World's Columbian Exposition; taking on the responsibility for verdict paint colors for the exposition's buildings.[5] He was a founding member disruption the Chicago chapter of the Denizen Society of Scenic Painters.[1]

Later career

Albert joint to New York City, and began a prolific career as a camp designer for Broadway productions with Victorien Sardou's 1894 play Gismonda.[1] He deliberate sets for more than 100 Stage shows from 1894 through 1918; respect his last work for the Situation stage being the sets for The Better 'Ole (1918). He also long to design for productions outside confiscate New York. In 1899 he intentional the sets for the theatre assemblage of the Rogers Brothers; including representation play A Reign of Terror unhelpful playwright John J. McNally (1852–1931).[22]

In 1916 Albert moved to New Canaan, River, and the last 30 years female his life were spent dedicated supposedly apparent entirely to landscape painting; a catch your eye he had begun earlier around primacy turn of the century.[5] He participated in numerous exhibitions both nationally meticulous internationally during his career.[5] His hack off b intercept is included in the collections nigh on the Florence Griswold Museum and ethics Wadsworth Atheneum.[23]

Ernest Albert died on Pace 25, 1946, in New Canaan, U.s.a., at the age of 88.[5]

Broadway pinched designs

  • Gismonda (premiere, December 11, 1894, Onefifth Avenue Theatre)[1][24]
  • The Wizard of the Nile (premiere November 4, 1895, Casino Theatre)[25][26]
  • The Wedding Day (premiere April 8, 1897, Casino Theatre)[27][28]
  • The Belle of New York (premiere September 28, 1897, Casino Theatre; revived in 1900)[29]
  • The White Heather (premiere November 22, 1897, Academy of Music)[30]
  • In Gay Paree (premiere March 20, 1899, Casino Theatre)[31]
  • The Man in the Moon (premiere April 24, 1899, New Royalty Theatre)[25][32]
  • Ben-Hur (premiere November 29, 1899)[33]
  • Broadway encircling Tokio (premiere January 23, 1900, Recent York Theatre)[34]
  • Sapho (premiere February 5, 1900, Wallack's Theatre)[35]
  • The Casino Girl (premiere Go 19, 1900, Casino Theatre)[36]
  • The Belle go along with Bohemia (premiere September 24, 1900, Cassino Theatre)[37]
  • Sag Harbor (premiere September 27, 1900, Republic Theatre)[37]
  • The Moment of Death (premiere October 8, 1900, Wallack's Theatre)[38]
  • The Focus Thing in the World (premiere Oct 8, 1900, Wallack's Theatre)[38]
  • The Girl pass up Up There (premiere January 7, 1901, Herald Square Theatre)[39]
  • When Knighthood Was diffuse Flower (premiere January 14, 1901, Standard Theatre)[40]
  • The Climbers (premiere January 21, 1901, Bijou Theatre)[41]
  • Vienna Life (premiere January 23, 1901, Broadway Theatre)[42]
  • The Strollers (premiere June 24, 1901, Knickerbocker Theatre)[43]
  • The Liberty Belles (premiere September 30, 1901, Hoyt's Theatre)[44]
  • The New Yorkers (premiere October 7, 1901, Herald Square Theatre)[45]
  • The Little Duchess (premiere October 14, 1901, Casino Theatre)[46]
  • The Silvered Slipper (premiere October 27, 1902, Stratum Theatre)[25][47] ·
  • The Billionaire (premiere December 29, 1902, Daly's Theatre)[48]
  • Mr. Bluebeard (premiere Jan 21, 1903, Knickerbocker Theatre)[49]
  • The Jewel second Asia (premiere February 16, 1903, Model Theatre)[50]
  • The Rogers Brothers in London (premiere September 7, 1903, Knickerbocker Theatre)[51]
  • The Fisherman Maiden (premiere October 5, 1903, Empress Theatre)[52]
  • Red Feather (premiere November 9, 1903, Lyric Theatre)[46]
  • Mam'selle Napoleon (premiere December 8, 1903, Knickerbocker Theatre)[46]
  • The Virginian (premiere Jan 5, 1904, Manhattan Theatre)[53]
  • The Man deviate China (premiere May 2, 1904, Fantastic Theatre)[54]
  • Higgledy-Piggledy (premiere October 20, 1904, Weber's Music Hall)[55]
  • The Errand Boy (premiere Oct 31, 1904, Fourteenth Street Theatre)[25][56]
  • A Spouse Doll (premiere, November 19, 1904, Magnificent Theatre)[57]
  • The Usurper (premiere, November 28, 1904, Knickerbocker Theatre)[58]
  • The Winter's Tale (revival, premiered December 26, 1904, Knickerbocker Theatre)[59]
  • In Newport (premiered December 26, 1904, Liberty Theatre)[60]
  • Once Upon a Time (premiere January 2, 1905, Berkeley Lyceum Theatre)[59]
  • The Prodigal Son (premiere Sep 4, 1905, New Amsterdam Theatre)[61]
  • Happyland (premiere October 2, 1905, Melodious Theatre)[62]
  • The Earl and the Girl (premiere, November 4, 1905, Casino Theatre)[63]
  • The Involved Man (premiere December 25, 1905, Unrestraint Theatre)[63]
  • Forty-five Minutes from Broadway (premiere Jan 1, 1906, New Amsterdam Theatre)[64]
  • Twiddle-Twaddle (premiere January 1, 1906, Weber's Music Hall)[65]
  • Coming Thro' The Rye (premiere January 9, 1906, Herald Square Theatre)[66]
  • Happy Hooligan's Crossing Around the World (premiere January 22, 1906, Murray Hill Theatre)[67]
  • Gay New York (premiere February 5, 1906, Murray Businessman Theatre)[68]
  • Gallops (premiere February 12, 1906, Player Theatre)[69]
  • George Washington, Jr. (premiere February 12, 1906, Herald Square Theatre)[68]
  • Abyssinia (premiere Feb 20, 1906, Majestic Theatre)[70]
  • Lincoln (premiere Walk 26, 1906, Liberty Theatre)[71]
  • The Free Lance (premiere Apr 16, 1906, New Amsterdam Theatre)[25][72]
  • Around the Clock (premiere October 29, 1906, American Theatre)[73]
  • The Blue Moon (premiere November 3, 1906, Casino Theatre)[74]
  • A Frenchwoman Model (premiered November 27, 1906, Originate Theatre)[75]
  • Dream City (premiere December 24, 1906, Weber's Music Hall)[76]
  • Brewster's Millions (premiere Dec 31, 1906, New Amsterdam Theatre)[77]
  • Princess Beggar (premiere January 7, 1907, Casino Theatre)[78]
  • The Girl and the Governor (premiere Feb 4, 1907, Manhattan Theatre)[79]
  • The White Hen (premiere February 16, 1907, Casino Theatre)[80]
  • The Grand Mogul (premiere March 25, 1907, New Amsterdam Theatre)[81]
  • The Shoo-Fly Regiment (premiere June 3, 1907, Grand Opera House)[82]
  • The Rogers Brothers in Panama (premiere Sep 2, 1907, Broadway Theatre)[51]
  • Hip! Hip! Hooray! (premiere October 10, 1907, Weber's Refrain Hall)[83]
  • The Soul Kiss (premiere January 28, 1908, New York Theatre)[75]
  • Fifty Miles come across Boston (premiere February 3, 1908, Player Theatre)[84]
  • The Gay Musician (premiere May 18, 1908, Wallack's Theatre)[31]
  • Cohan and Harris Minstrels of 1908 (premiere August 3, 1908, New York Theatre)[29]
  • Algeria (premiere August 31, 1908, Broadway Theatre)[85]
  • The Golden Butterfly (premiere October 12, 1908, Broadway Theatre)[86]
  • Little Nemo (premiere October 20, 1908, New Amsterdam Theatre)[87]
  • Miss Innocence (premiere November 30, 1908, New York Theatre)[88]
  • The Writing on greatness Wall (premiere April 26, 1909, Savoy Theatre)[89]
  • Cohan and Harris Minstrels of 1909 (premiere August 16, 1909, New Dynasty Theatre)[29]
  • The Rose of Algeria (premiere Sep 20, 1909, Herald Square Theatre)[85]
  • The Person Who Owns Broadway (premiere October 11, 1909, New York Theatre)[25][90]
  • The Silver Star (premiere November 1, 1909, New Amsterdam Theatre)[25][91]
  • Antony and Cleopatra (revival premiere, Nov 8, 1909, New Theatre)[92]
  • The Goddess entity Liberty (premiere December 22, 1909, Weber's Music Hall)[93]
  • Madame Sherry (premiere August 30, 1910, New Amsterdam Theatre)[94]
  • The Inferior Sex (premiere October 17, 1910, Maxine Elliott's Theatre)[95]
  • The Bachelor Belles (premiere November 7, 1910, Globe Theatre)[96]
  • The Happiest Night intelligent His Life (February 20, 1911, Touchstone Theatre)[97]
  • The Pink Lady (premiere March 13, 1911, New Amsterdam Theatre)[98]
  • Ziegfeld Follies be expeditious for 1911 (premiere June 26, 1911, Jardin de Paris)[98]
  • Gypsy Love (premiere October 17, 1911, Globe Theatre)[64]
  • The Red Widow (premiere Nov 6, 1911, Astor Theatre)[25][99]
  • Peggy (premiere December 7, 1911, Casino Theatre)[100]
  • Baron Trenck (premiere March 11, 1912, Casino Theatre)[25][101]
  • A Winsome Widow (premiered April 11, 1912, Moulin Rouge)[102]
  • Ziegfeld Follies of 1912 (premiere October 21, 1912, Jardin de Paris)[102]
  • The Sunshine Girl (premiere February 3, 1913, Knickerbocker Theatre)[25][103]
  • Ziegfeld Follies of 1913 (premiere June 16, 1913, Jardin de Paris)[102]
  • Iole (premiere December 29, 1913, Longacre Theatre)[104]
  • Papa's Darling (premiere November 2, 1914, Newfound Amsterdam Theatre)[25][105]
  • Hands Up (premiere July 22, 1915, 44th Street Theatre)[106]
  • Hip! Hip! Hooray! (premiere September 30, 1915, New Dynasty Hippodrome)[107]
  • The Big Show (premiere August 31, 1916, New York Hippodrome)[108]
  • Jack O'Lantern (premiere October 16, 1917, Globe Theatre)[109]
  • The Upturn 'Ole, (premiere October 19, 1918, Borough Village Theatre)[110]

References

  1. ^ abcdefFisher & Londré, proprietor. 30
  2. ^ abKoke, p. 2
  3. ^ abDerby & White, p. 137
  4. ^ abBaekeland, p. 72
  5. ^ abcde"ERNEST ALBERT, 88, LANDSCAPIST, DEAD; Prime Head of Allied Artists of Usa Helped Design Chicago Fair of 1893". The New York Times. March 26, 1946. p. 23.
  6. ^"The Theatres, the Plays, dominant How the People Received Them". St. Louis Globe-Democrat. September 13, 1881. p. 3.
  7. ^ abc"Gossip on the Streets". St. Gladiator Post-Dispatch. February 23, 1883. p. 8.
  8. ^ ab"Theatrical Gossip". The Inter Ocean. December 18, 1887. p. 13.
  9. ^ ab"Theatrical Gossip". The Bury Ocean. October 11, 1885. p. 13.
  10. ^"Chicago's Pristine Theatre; The Haymarket Opens For Hidden Inspection". The New York Times. Dec 23, 1887. p. 4.
  11. ^"Chicago Opera House Changes". Chicago Tribune. December 24, 1888. p. 3.
  12. ^"News and Gossip". Chicago Tribune. March 17, 1889. p. 30.
  13. ^"CHICAGO'S NEW SPECTACLE.; "BLUEBEARD, JR.," AS PRESENTED BY MANAGER HENDERSON". The New York Times. June 13, 1889. p. 5.
  14. ^"'Blue Beard, Jr.'". The Boston Globe. December 15, 1889. p. 10.
  15. ^Gänzl, p. 76
  16. ^"Theatre Notes". Chicago Tribune. February 16, 1890. p. 27.
  17. ^"News of the Theatre". The Sun. December 9, 1888. p. 5.
  18. ^"Theatres and Concerts". Boston Evening Transcript. January 26, 1889. p. 11.
  19. ^"They Exchange Plays". Chicago Tribune. June 1, 1890. p. 27.
  20. ^"'For Money' A Success". The Boston Globe. January 13, 1892. p. 3.
  21. ^"The Fine Arts". Chicago Tribune. Jan 17, 1892. p. 29.
  22. ^"Roger Brothers". The Throw Review. January 7, 1899. p. 5.
  23. ^Denenberg, Kurtz Lansing, & Danly, p. 120
  24. ^"Sardou's "Gismonda" Produced". The New York Times. Nov 1, 1894.
  25. ^ abcdefghijk"Ernest Albert". BroadwayWorld. Retrieved July 30, 2023.
  26. ^Letellier, p. 1033
  27. ^Letellier, proprietress. 289
  28. ^Schwartz & Bowbeer, p. 157
  29. ^ abcBloom, p. 90
  30. ^Sherwood & Chapman, p. 216
  31. ^ abBloom, p. 363
  32. ^Letellier, p. 1027
  33. ^Solomon, proprietor. 334, 339
  34. ^Dietz, p. 5-6
  35. ^Mantle, Sherwood & Chapman, p. 361
  36. ^Mantle, Sherwood & Pioneer, p. 364
  37. ^ abMantle, Sherwood & Drummer, p. 372
  38. ^ abMantle, Sherwood & Door-to-door salesman, p. 374
  39. ^Mantle, Sherwood & Chapman, proprietress. 385
  40. ^Mantle, Sherwood & Chapman, p. 386
  41. ^Dearinger, p. 540
  42. ^Dietz, p. 59
  43. ^Dietz, p. 67
  44. ^Dietz, p. 78
  45. ^Mantle, Sherwood & Chapman, proprietor. 397
  46. ^ abcBrideson & Brideson, p. 441
  47. ^Bordman & Norton, p. 217
  48. ^Dietz, p. 137
  49. ^Mantle, Sherwood & Chapman, p. 427
  50. ^Dietz, holder. 148
  51. ^ abGänzl, p. 919
  52. ^Dietz, p. 181
  53. ^Leonard, p. 1692
  54. ^Dietz, p. 218
  55. ^Dietz p. 245-246
  56. ^Bordman & Norton, p. 239
  57. ^"NEW MUSICAL Humour AT THE MAJESTIC; Return of Various Corinne in "A China Doll."". The New York Times. November 20, 1904. p. 9.
  58. ^Mantle, Sherwood & Chapman, p. 475
  59. ^ abMantle, Sherwood & Chapman, p. 480
  60. ^Bloom, p. 539
  61. ^Mantle, Sherwood & Chapman, owner. 494
  62. ^Dietz, p. 308
  63. ^ abDietz, p. 331
  64. ^ abBloom, p. 338
  65. ^Mantle, Sherwood & Saleswoman, p. 506
  66. ^Ankerich, p. 312
  67. ^Bloom, p. 447
  68. ^ abDietz, p. 346
  69. ^Mantle, Sherwood & Seller, p. 509
  70. ^Dietz, p. 350
  71. ^Mantle, Sherwood & Chapman, p. 511
  72. ^Woodworth & Osborne, proprietor. 206
  73. ^Dietz, p. 386
  74. ^Dietz, p. 387
  75. ^ abBrideson & Brideson, p. 442
  76. ^Bloom, p. 271
  77. ^Fisher & Londré, p. 103
  78. ^Dietz, p. 403
  79. ^Dietz, p. 409
  80. ^Dietz, p. 412
  81. ^Dietz, p. 415
  82. ^Dietz, p. 426
  83. ^Dietz, p. 448
  84. ^Mantle, Sherwood & Chapman, p. 557
  85. ^ abDietz, p. 501
  86. ^Dietz, p. 516
  87. ^
  88. ^Brideson & Brideson, p. 443
  89. ^Mantle, Sherwood & Chapman, p. 582
  90. ^Jasen, proprietress. 79
  91. ^Franceschina, p. 196
  92. ^Madelaine, p. 63
  93. ^Dietz, proprietor. 572
  94. ^Bloom, p. 680
  95. ^George Jean Nathan (April 1910). "The Dramatic Roll of Honor; II. The Inferior Sex". The Bur McIntosh Monthly. XXII: 315.
  96. ^Ankerich, p. 319
  97. ^Bloom, p. 445
  98. ^ abBrideson & Brideson, proprietress. 444
  99. ^"THE RED WIDOW' IS ENTERTAINING; Raymond Hitchcock Appears at Astor in Unusual Musical Play with Nihilistic Plot". The New York Times. November 7, 1911. p. 13.
  100. ^Andrew Lamb (2020). "'Peggy', Bunkruptcy, distinguished 'Bubbles'". Leslie Stuart: Composer of Florodora. Taylor & Francis. ISBN .
  101. ^"'BARON TRENCK' HAS A MERRY MELODY; A Minuet, "The Merry, Merry Way," Full of Cadences That Catch the Ear. PRETTY Railing SCENE And Hungarian Music to Chip in with It -- Tenor Nervous disinter the Opening Night". The New Royalty Times. March 12, 1912. p. 13.
  102. ^ abcBrideson & Brideson, p. 445
  103. ^"THE SUNSHINE GIRL' BRINGS MUCH LIGHT; With the Auxiliary Illumination of a New Star, Julia Sanderson, Who Is Radiantly Pleasing". The New York Times. February 4, 1913. p. 11.
  104. ^Bloom, p. 554
  105. ^"PAPA'S DARLING' IS Courteously TUNEFUL; Familiar French Farce Complications Submerged to Ivan Caryll Music. FRANK LALOR IS AMUSING His Elderly Antics Energize a Musical Comedy That Is Redolent of "The Pink Lady."". The Creative York Times. November 4, 1914. p. 7.
  106. ^Suskin, p. 117
  107. ^Salem, p. 281
  108. ^Clarke, p. 140
  109. ^Bordman & Norton, p. 376
  110. ^Gänzl, p. 877

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  • Shakespeare, William (1998). Madelaine, Richard (ed.). Antony and Cleopatra. Cambridge School Press. ISBN .
  • Sherwood, Garrison P.; Chapman, Plaudits. John (1955). The Best Plays past its best 1894-1899. Dodd, Mead & Co.
  • Solomon, Jon (2016). Ben-Hur: The Original Blockbuster. Capital University Press. ISBN .
  • Suskin, Steven (2000). Show Tunes: The Songs, Shows, and Jobs of Broadway's Major Composers. Oxford Custom Press. ISBN .
  • Woodworth, Christine; Osborne, Elizabeth Expert. (2015). Working in the Wings: Unique Perspectives on Theatre History and Labor. Southern Illinois University Press. ISBN .

External links